The fight over the waters of the Mediterranean Sea was, and still is, a struggle for hegemony and control of movements. Thus, straits and crucial sea passages of the Mediterranean were the targets zones, from which empires could exercise their political powers and hegemony over sea and land. Situated at the very heart of the Mediterranean and controlling the movement between its western and eastern seas as well as the naval route from Africa to Italy, Tunis appears as one of the important sites of this fluid landscape. At the Age of Suleiman the Magnificent, with the arrival of the Ottomans to Tunisia on August 16, 1534, a radical change in empires’ hegemony of the Mediterranean Sea occurred. Though, earlier, European imperial powers might have claimed great success in expanding into the New World and controlling sea routes along the coasts of Africa and India, the Old World was under the fear of the Ottoman rapid expansion. On June 1, 1535, armed by a robust naval power, Charles V attacked La Goletta and entered the city of Tunis. The occupation of Tunis by the Habsburgs lasted almost 40 years; Tunis was recaptured by the Ottomans in 1574. And yet, beyond the Christian-Muslim politics of the day, the fall of Tunis at the hands of the powerful ruler of the Habsburgs, Charles V, marked a turning point in the histories of East-West interactions. The interactions with Tunisia’s ‘Classical’ past, such as the archaeological ruins of the city of Cartage and the Roman theatre of El-Jam, initiated a novel scientific and historical gaze for studying this space. This antiquarian approach of the 16th century went beyond the common orientalist’s vision, recalling to some extent Napoleon Bonaparte’s discovery of the ancient ruins of Egypt by the end of the 18th century. Moreover, a sharper perception was born for writing history in general and Mediterranean history in particular, which helped Europe to redefine its past and renew its identity as a fresh ‘Old World’.
This day conference aims at gathering circa six to eight scholars (historians and art historians alike). The focus will be put on the writing of histories and the production of art during this span of time. It will include studies on the monumental embroideries produced for memorizing the capture of Tunis, prints and painting of Mulay Hassan made by famous artists like Jan Cornelisz Vermeyen and Peter Paul Rubens, and even decorated arm and armor commissioned by the Medici in Florence for memorizing this historical moment.