Why
Provoking us into new ways of seeing, and new ways of being, artists create possibilities.
In 1991, playwright Tony Kushner '78CC opened a national conversation about HIV/AIDS with his audacious Angels in America. Now Columbia faculty playwright Lynn Nottage, in the Pulitzer Prize-winning Sweat, tells stories on Broadway of poverty and economic stagnation in a Pennsylvania factory town, exploring the fracturing of the American Dream.
The arts, important everywhere, are essential at Columbia. From our MFA programs to the College’s signature Core Curriculum, the making, studying, and direct experience of art occupy a place unparalleled among other major research universities. And the arts connect us to a great global arts city: our artists are New York artists.
The arts at Columbia are anchored in a thriving School of the Arts, with leading graduate programs in film, visual art, theatre, and writing. These programs are complemented by the renowned composers, performers, and scholars in our Department of Music. The arts presence extends to classrooms across campus where undergraduates and professional school students have the opportunity to study with and alongside artists, whatever their career goals. And it includes scholarship and research, from the humanities to medicine and neuroscience, on interpreting the arts in relation to other disciplines and ideas.
Universities are inherently committed to new ideas and multiple perspectives, and perhaps none more so than this university at this time. As we collaborate in new ways to address the world’s most pressing and intractable problems, Columbia’s artists bring their creative and intuitive power to the conversation. They inform—and transform—how we think and act across campuses.
The opening of the Lenfest Center for the Arts on our new Manhattanville campus now embodies the promise of a new chapter for arts and ideas at Columbia.
The Challenge
The world wants and needs artists, creative and talented people undaunted by complexity and unbound by conventional thinking. And yet, even at Columbia, the arts and arts scholarship require renewed commitment.
Columbia has met the greatest challenge—creating an environment for art and artists to flourish. But that commitment requires renewed and continuous investment—in the spaces and tools for making, sharing, and learning about art, in teaching and research programs within and across disciplines, in the artists themselves.
The Columbia Commitment
The Columbia Commitment looks across our campuses to amplify the impact of Columbia’s artists and arts scholars in the classroom, the studio, and the world. The Columbia Commitment to the Arts includes enhanced funding for:
Student artists. For financial aid to bring the best emerging artists to Columbia without fear of crippling debt, and for project and travel funds to develop and share their work
Facilities. For production facilities and classrooms that realize the potential of our students and faculty
Humanities, including digital humanities. For the nuanced study and interpretation of the arts
Collaboration. For funding interdisciplinary research, dialogue, and teaching that further weave the arts into the fabric of campuses and schools; and for reaching broader public audiences through programming and partnerships.
Learn more about our commitment to Arts and Ideas
Learn about our other Columbia Commitments
Make a gift to support the Columbia Global Centers
Related News from the Global Centers
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The Metropolitan Museum of Art, in partnership with Columbia University, will be holding the third regional cultural heritage workshop, The Future of the Past: Addressing the Cultural Heritage Crisis in Iraq and Syria.
Believing in the power of cinema and the role it plays in people’s everyday lives, Richard Peña has been tracing film history all over the world and has been spreading knowledge about the industry. ...Peña, professor of Professional Practice at the School of The Arts at Columbia University in New York City, held courses over the week at the Columbia Global Centres in Amman named “On the Margins of American Cinemas”.